Tromp Loeil &the Interior (Renaissance) Essay Example | Topics and Well Written Essays - 1750 words

Tromp Loeil &the Interior ( renascence) - Essay ExampleTheir creation was art and architecture whose sole motive was to betray the eye on the reality of a pic. This was to be known as Trompe loeil, which in French is literally to deceive the eye (Damisch, 1984)1. This trompe loeil paintings and architecture have existed since then and are a polar part of modern art and architecture. Trompe loeil is a style of art that was developed and popularized in the Renaissance era (Kristeller, 1965)2. The main(prenominal) technique workoutd by these ancient artists was using perspective manipulations to pass on paintings that were self-reflective. The secondly crucial technique was in using art to develop deception through double wonderment (Damisch, 1984)3. The principle of double wonderment focused on two perspectives. The depression perspective was to make the viewing audience of these images whether the paintings were real. Second wonder aroused by the painting was the question of just how the artist achieved such an imprint The use of oils was another prominent technique used in the renaissance paintings. Oils enhanced representation of surpass using a gradation of tones. Light colored oils were used in the foreground picture flame. nonpareil of the main techniques of trompe loeil was linear perspective. This was a means of representing far away objects to scale with the close objects. blend was also an indispensable technique for trompe loeil. ... Artists in the Renaissance era used techniques in painting that take a crapd a perception of depth. To achieve depth they had to employ a three dimensional perspective. One of the main techniques used by these artists was to overlap objects. When an object is raddled in front of another and overlapping it, the first object appears to be in front. In the Renaissance paintings, overlapping was the strongest indication of distance, and as objects are overridden continually, the perceive distance increases. An other technique used in the trompe loeil interiors of the renaissance era was use of change magnitude scale. Objects were drawn into scale of size using this technique. Where two objects of the known same size are drawn one bigger than the other one, the bigger image is perceived to be closer. This was used extensively in the renaissance era especially with the Trompe loeil interiors (Tzonis, 1986)5. The artists in the renaissance era also used technique of diagonal lines to achieve diminishing scale. Where lines are drawn to narrow as they go further away, they create an illusion of depth. This is perhaps the most used technique in the Trompe loeil paintings. Diagonal lines were painted as they moved towards each other creating a perception of depth and diminishing scale. Another technique was the use of colour. A common assumption in art and architecture is that people see bright colors as being close. Such colors such as red and yellow are deemed to be close. The most commonly application of this technique in the renaissance was in drawing and painting of landscapes. For landscapes, to achieve depth, blue is used to haze far away objects giving an illusion of